|
Peter Marsh
|
The Glass Cabinet
|
Violoncello,Voice (Soprano) |
|
Clement Jewitt
|
The Harvest Bride
|
Piano,Voice (Soprano) |
|
Kong Yu Wong
|
the Moon, the Ocean
|
Flute,Piccolo,Harp,Viola,Voice (Alto),Other Instruments |
|
Matt Grimstead
|
the mySteRy of stilLness
|
Flute,Voice (Alto),Voice (Bass),Voice (Soprano),Voice (Tenor) |
|
Andrew Thomas
|
The Narrow Road to the Deep North
|
Piano |
|
Elizabeth Winters
|
The Serious Side of Madness
|
Flute,Flute (Piccolo),Oboe,Cor Anglais,Clarinet in Bb,Bassoon,French Horn,Trumpet in Bb,Percussion,Violin I,Violin II,Viola,Violoncello,Double Bass |
|
Matt Grimstead
|
The Shepherds’ Cradle Song
|
Voice (Alto),Voice (Bass),Voice (Soprano),Voice (Tenor) |
|
Clement Jewitt
|
Three Hokku on Time
|
Flute,Voice (Soprano) |
|
Phillip Cooke
|
Three Marian Motets
|
Voice (Choir) |
|
Phillip Cooke
|
Threnody
|
Flute,Clarinet in A,Piano,Violin,Violoncello,Voice (Tenor) |
|
Max Charles Davies
|
Through the Looking Glass
|
Violin,Violoncello |
|
Phillip Cooke
|
Two Elegies
|
Percussion,Piano,Violoncello |
|
Andrew Thomas
|
Two Part Invention
|
Bassoon,Trumpet |
